Pre-2020 conferences

This is an archive of musicology conferences before 2020

= 2019 =


 * 1) Gaiety, Glitz and Glamour, or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, 10–12 January 2019
 * 2) BFE/RMA Research Students’ Conference, Sheffield, 10–12 January 2019
 * 3) Documenting Jazz, Dublin, 17–19 January 2019
 * 4) Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audi-Visuelle in Zeiten von Krisen und Reformen, Munich, 17 January 2019
 * 5) Sound and Music in the Prism of Sound Studies, Paris, 24–6 January 2019
 * 6) Mieczysław Weinberg Centenary International Conference, Manchester, 24–7 January 2019
 * 7) “Vierhändig, immer einmal!” Piano Four Hands Music Symposium, Graz, 25–6 January 2019
 * 8) Notation for Improvisors, London, 9 February 2019
 * 9) Annual Meeting of the Society for Christian Scholarship in Music, Toronto, 14–16 February 2019
 * 10) Sixth International Conference Music and Audio-visual Culture MUCA, Murcia, 14–16 February 2019
 * 11) From Authorship and Spectatorship to Usership in Music, Ghent, 21-22 February 2019
 * 12) Historical Fictions Research Network. Radical Fictions, Manchester, 22–3 February 2019
 * 13) Music and Materialisms, Kingston, 23 February 2019
 * 14) International Conference ‘Modality in Music’, Łódź, 6–8 March 2019
 * 15) International Women and/in Musical Leadership Conference, London, 7-8 March 2019
 * 16) Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year, St Petersburg, 18-20 March 2019
 * 17) Influence of the Arts in the Middle Ages: Reflexions on the Aquitanian Ms. Paris, BnF, latin 1139, Paris, 19–21 March 2019
 * 18) Música Analítica 2019: Porto International Symposium on the Analysis and Theory of Music, Porto, Portugal, 21–3 March  2019
 * 19) Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
 * 20) CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
 * 21) Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
 * 22) Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
 * 23) Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
 * 24) “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
 * 25) Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
 * 26) International conference 'Musical composition: from intention to opus', Moscow, 9–11 April 2019
 * 27) National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
 * 28) The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
 * 29) Rhythm Changes Conference, Graz, 11–14 April 2019
 * 30) International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
 * 31) Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
 * 32) Nordic Music RMA Study Day, York, 29 April 2019
 * 33) Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
 * 34) CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
 * 35) Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
 * 36) Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
 * 37) Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
 * 38) “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
 * 39) Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
 * 40) International conference 'Musical composition: from intention to opus', Moscow, 9–11 April 2019
 * 41) National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
 * 42) The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
 * 43) Rhythm Changes Conference, Graz, 11–14 April 2019

International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
 * 1) Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
 * 2) Nordic Music RMA Study Day, York, 29 April 2019
 * 3) Third Tbilisi International Musicological Conference (TIMC) – “Musicology with and without Borders”, Tblisi, Georgia, 2–3 May 2019
 * 4) Sensing Colonial Ports and Global History: Agency, Affect, Temporality, Oxford, 2–3 May 2019
 * 5) Musica Scotica Annual Conference, Stirling, 3–5 May 2019
 * 6) The Importance of Tuning for better performance, Hammerwood, 6 May 2019
 * 7) NoiseFloor 2019, Stoke-on-Trent, 7–8 May 2019
 * 8) On the Record: Critical Approaches to the Musical Theatre Cast Album, Sheffield, 9–10 May 2019
 * 9) Singing Speech and Speaking Melodies: Musical Theatre (1650-1918), Oviedo, Spain, 9–11 May 2019
 * 10) The Work Level in RISM, Mainz, 9–11 May 2019
 * 11) The Art Song Platform: Traditions and Current Practices, London, 10 May 2019
 * 12) Historical Keyboard Society of North America Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music, Huntsville, Texas, USA, 13–15 May 2019
 * 13) Interdisciplinary conference "Orgelpredigten in Europa (1600-1800). Musiktheoretische, theologische und historische Perspektiven", Regensburg, 16–18 May 2019
 * 14) Fourth Annual Conference, "Historical Performance: Theory, Practice, and Interdisciplinarity", Bloomington, IN, USA, 17–19 May 2019
 * 15) The Culture-Making Role of Musical Patronage. Contexts – Meanings – Perspectives, Wrocław, Poland, 22–4 May 2019
 * 16) Royal Music Association Study Day, The Classical Musician in the 21st Century, Cambridge, 23 May 2019
 * 17) Beethoven in the periodical press: reception, perceptions and discursive uses of his figure and his music (XIX-XXI centuries) (7th MUSPRES), La Rioja, Spain, 23–4 May 2019
 * 18) International Conference 'Explicitly Intertextual Music since 1890', Gdańsk, 23–4 May 2019
 * 19) Words, Music and Gender, Maribor, Slovenia, 24–5 May 2019
 * 20) The Yugoslav Idea in/of Music, Novi Sad, Serbia, 25-6 May 2019
 * 21) The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850, Hong Kong, 27–9 May 2019
 * 22) Music and Artificial Intelligence: Pasts and Futures, Opportunities and Risks, Aarhus, Denmark, 28 May 2019
 * 23) World of Bob Dylan, Tulsa, 30 May to 2 June 2019
 * 24) Sonic Imprints, Oxford, 31 May 2019
 * 25) Music and Sonic Art: Theories and Practices, Karlsruhe, 31 May–2 June 2019
 * 26) Atlantic Crossings: Music from 1492 through the Long 18th Century, Boston, 7–8 June 2019
 * 27) Agents and Actors: Networks in Music History, Helsinki, 3–5 June 2019
 * 28) Harmonisation and the Law – an interdisciplinary approach to legislative drafting, London, 4 June 2019
 * 29) The Unwritten in Sources of Notated Music: Reconstruction, Editing, Interpretation, and Extrapolations, Paris, 6–7 June 2019
 * 30) Narrativity and Popular Music, London, 7 June 2019
 * 31) Sounds of Mass Media: Music in Journalism and Propaganda, Växjö, Sweden, 7–10 June 2019
 * 32) ‘Dancing Scarlatti’ FIMTE Summer Course for Keyboardists, Garrucha-Almería, Spain, 10-13 June 2019
 * 33) Reboot 2019 Music Business Education Conference, London, 12 June 2019
 * 34) Spectralisms 2019, Paris, 12–14 June 2019
 * 35) Music and Visual Culture in Renaissance Italy, Sheffield, 13–15 June 2019
 * 36) Futures of the Real, London, 14 June 2019
 * 37) Domenico Scarlatti: Forwards and Backwards. 14th FIMTE Conference, Mojácar, Andalusia, 14–15 June 2019
 * 38) Clara Schumann (née Wieck) and her World, Oxford, 15–16 June 2019
 * 39) Music and Democracy: beyond Metaphors and Idealization, Huddersfield, 21 June 2019
 * 40) Early Recordings: Past Performing Practices in Contemporary Research, London, 22 June 2019
 * 41) Sonic Circulations 1900-1950, King's College London, London, 24–5 June 2019
 * 42) Opera and the City: Technologies of Displacement and Dissemination, Lisbon, 24–5 June 2019
 * 43) The Operatic Century: European Opera in Latin America during the Long Nineteenth Century (1789-1914), Cambridge, 25 June 2019
 * 44) Song, Stage and Screen XIV, Leeds, 26–9 June 2019
 * 45) Making Musical Works in Early Modern Europe 1500-1700: Composition, Improvisation, Notation and Performance, London, 27 June 2019
 * 46) Music and the Arts in England, c. 1670–1750, Hamburg, 27–9 June 2019
 * 47) Eighteen Century Theatre Capitals: from Lisbon to St. Petersburg, Queluz, Portugal, 27–9 June 2019
 * 48) Musicology Today: 17th Annual Conference of the Society for Musicology in Ireland, Maynooth, 28–30 June 2019
 * 49) Hidden Archives, Hidden Practices: Debates about music-making, Aveiro, Portugal, 28–30 June 2019
 * 50) AEMC Conference on Music, Communication and Performance 2nd Edition, Montecassiano, Italy, 29–30 June 2019
 * 51) RMA/KVNM Postgraduate International Research Symposium in Musicology, Amsterdam, 29 June 2019
 * 52) Moving Horns: Worldwide Migrations in Horn Playing, Ghent, 2–6 July 2019
 * 53) Audience Research in the Arts Conference, Sheffield, 3–5 July 2019
 * 54) International Conference "Rethinking The Three-Cornered Hat A Hundred Years Later", Granada, Spain, 3–5 July 2019
 * 55) 47th MedRen Music Conference, Basel, 3–6 July 2019
 * 56) Punk Pedagogies, Lincoln, 4–5 July 2019
 * 57) Un/masking. On a mimetic form, Munich, 4–6 July 2019
 * 58) The “Other” Voice: High Male Voices between Gluck and Rock, Nuremberg, 5–7 July 2019
 * 59) Music as Heritage: from Tradition to Product, Budapest, 1–10 July 2019
 * 60) IMS2019 Lucerne: Agency and Identity in Music, Lucerne, 7–10 July 2019
 * 61) Bach Network Dialogue Meeting 2019, Cambridge, 8–11 July
 * 62) Sex, Gender, and the Erotic in Russian Music, Vipiteno, Italy, 9-12 July 2019
 * 63) RMA Music and Philosophy 7th Biennial Conference 2019, London, 11–12 July 2019
 * 64) Is there a medieval 'music and philosophy'? (themed session at RMA Music and Philosophy 7th Biennial Conference 2019), London, 11–12 July 2019
 * 65) Jewish Music in South Germany—History, Exile, Continuance, Munich, 12‒13 July 2019
 * 66) International Symposium on Performance Science (ISPS), Melbourne, 16–20 July 2019
 * 67) The Mediterranean: Migrant Sounds, Valencia, 23–5 July 2019
 * 68) Music and/as Process, London, 26 July 2019
 * 69) ‘SotonMAC 2019’ and the Music Analysis Summer School 2019, Southampton, 27–31 July 2019
 * 70) Music Analysis Summer School, Southampton, 29–31 July 2019
 * 71) The Guitar Century (c. 1880-1980): Global Trends and Local Contexts, Melbourne, 2–4 August 2019
 * 72) International Conducting Studies Conference 2019, Sydney, 2–4 August 2019
 * 73) Just P(l)ay! Music as Labour, Reichenau an der Rax, Austria, 7–9 August 2019
 * 74) Music and Disruptive Pasts: Between the Popular and the Arcane, Milton Keynes, 21–2 August 2019
 * 75) Soldiers’ Tales: Collecting and Sharing Military and Musical Heritage, Oxford, 22 August 2019
 * 76) Musical Instrument Collectors and Collections, Oxford, 23–5 August 2019
 * 77) RASMB-IMS 2019 Conference: MUSICAL AND CULTURAL OSMOSES IN THE BALKANS, Bucharest, 2–6 September 2019
 * 78) Second International Conference on Women's Work in Music, Bangor, 4–6 September 2019
 * 79) Theatre and Performance Research Association Conference. Sound, Voice & Music WG: Listening Across, Guildford, 4–6 September 2019
 * 80) New Takes on Recorded Music: Performance, Creativity, Technology, Guildford, 5–6 September 2019
 * 81) Music in the body – body in music: The body at the intersection of musical practice and discourse, Göttingen, 5–6 September 2019
 * 82) Music and Sound Design for the Screen, Maynooth, 6–7 September 2019
 * 83) Eleventh Biennial International Conference on Music Since 1900, Huddersfield, 8–10 September 2019
 * 84) Researching Subcultures and Aesthetics Postgraduate Symposium: Alternative Voices in Academia, Galway, 10 September 2019
 * 85) OBERTO 2019: The Canon Reloaded? Operatic Repertoire in the Twenty-First Century, Oxford, 10 September 2019
 * 86) Royal Musical Association Annual Conference 2019, Manchester, 11–13 September 2019
 * 87) Music in Transmission: Teaching and Learning Traditional Music Today, Prague, 12 September 2019
 * 88) 10th Vienna Music Business Research Days, Vienna, 12–13 September 2019
 * 89) SPARC Symposium 2019: Land Music: Sound Practices in the Age of Ecological Crisis, London, 12–14 September 2019
 * 90) Bach at the Dawn Of 2020 – Reception And Imaginaries In The Digital Era, Dresden, 20–27 September 2019
 * 91) 8th International Scientific Meeting for the Study of Sound and Musical Instruments - Organological Congress, Belmonte, Portugal, 20–22 September 2019
 * 92) Correct, but not Beautiful Performance II: Deciphering the Hidden Messages in 19th century Notation, Vienna, 23–25 September 2019
 * 93) Conference on Interdisciplinary Musicology - CIM 19. "Embodiment in Music", Graz, Austria - 26–8 September 2019
 * 94) Stanisław Moniuszko in Polish and World Culture: New Perspectives and Interpretations. International Moniuszko Congress, Gdańsk, 27–8 September 2019
 * 95) Transnationalism and Transculturalism in Canadian Music, 1969-2019, Ottawa, 29 September 2019
 * 96) Media of Hate: Representations of Religious Persecution and Repression in Early Modern Europe, Cambridge, 3–4 October 2019
 * 97) MUSIC AND SPATIALITY – 13th Biennial International Conference on Music Theory and Analysis, Belgrade, 4–6 October 2019
 * 98) International Artistic Jazz Research Symposium, Vienna, 6 October 2019
 * 99) TCPM 2019 – Tracking the Creative Process in Music, Lisbon, 9–11 October 2019
 * 100) Russian Music in Britain – British Music in Russia, Moscow, 10–11 October 2019
 * 101) Our music, our world: wind bands and local social life, Aveiro, Portugal, 10–12 October 2019
 * 102) TTU Arts Practice Research: Scholarship, Pedagogy, and the Creative Process, Lubbock, Texas, 11–13 October 2019
 * 103) REEM-BASEES 2019 Annual Conference - In memoriam Stuart Campbell, Durham, 12 October 2019
 * 104) Music Research in Slovenia in the Past and Present, Ljubljana, Slovenia, 14–15 October 2019
 * 105) Music, Arts and Politics: Revolutions and Restorations in Europe and Croatia 1815-1860, Zagreb 16–19 October 2019
 * 106) Baroque Festivals between the Sacred and the Profane: Europe and the Atlantic, Loures, Portugal, 17–19 October 2019
 * 107) Performing Arts and Technical Issues in the 19th Century, Lucca, 18–20 October 2019
 * 108) Società Italiana Di Musicologia. 26th Annual Conference, Matera, Italy, 18–20 October 2019
 * 109) IMSEA Conference 2019, Suzhou, China, 18–20 October 2019
 * 110) In, from, and towards the Americas – Musical Migrations: Transnational Communities, Oral History and Cultural Memory. II MUSAM International Conference, Madrid, 24–5 October 2019
 * 111) PSYCHOLOGY AND MUSIC ̶ Interdisciplinary Encounters, Belgrade, 24 – 26 October 2019
 * 112) Grieg Now! IGS International Conference and Workshop 2019, Bergen, 24–7 October 2019
 * 113) FTSG Study Day on Phrase: Rhythm, Function and Closure, Leeds, 26 October, 2019
 * 114) Hands-On Research Symposium: from artistic practice to artistic research, Aveiro, Portugal, 28 October–3 November 2019
 * 115) Music and Lifetime Memories: An Interdisciplinary Conference, Durham, 1–2 November 2019
 * 116) IV ARLAC Conference, Buenos Aires, 5–9 November 2019
 * 117) Rethinking Austrian and German Music Studies, Guildford, UK, 6 November 2019
 * 118) SEMPRE Autumn Conference, Bath, 7–8 November, 2019
 * 119) Ka-Ching! The Sound of Money Economic, social and aesthetic aspects of money in music, Kiel, Germany, 7–10 November 2019
 * 120) Iconography as a Source for Music History - RMA Study Day, London, 8–9 November 2019
 * 121) Opera in Musical Theater: History and Present Time, Moscow, 11–13 November 2019
 * 122) Belonging and Detachment: Representing Musical Identity in Visual Culture, Hobart, Tasmania, 13–15 November 2019
 * 123) ENIM 2019 - 9th Conference on Musical Research, Lisbon, 14–16 November 2019
 * 124) International Workshop: 'Women as Patrons: Gender, Patronage and Cutural Transfer at the turn of the 20th century', Bern, 15–16 November 2019
 * 125) “Performing Clara Schumann”, Ithaca, New York, 16–17 November 2019
 * 126) Music Patronage in Italy from the 15th- to the 18th- Century, Lucca, Italy, 16–18 November 2019
 * 127) “From Field to Fiddle” – Historical Gut Strings in Production and Performance, Bern, 19–20 November 2019
 * 128) Principles of Music Composing: Orchestra in Contemporary Contexts, Vilnius, Lithuania, 20–22 November 2019
 * 129) Post-ip'19 - 5th International Post-Graduate Forum for Studies in Music and Dance, Aveiro, Portugal, 21-23 November 2019
 * 130) The Modern Musick-Master: Historischer und historisch informierter Musikunterricht, Basel, 21-23 November 2019
 * 131) The Past and Present in a Musical Work, Bydgoszcz, Poland, 26–28 November 2019
 * 132) Who is the 'I' that Performs?: Enacting Musical Identities, Ghent, 28–29 November 2019
 * 133) Music in Eighteenth-Century Britain, London, 29 November 2019
 * 134) French Music Analysis Conference 2019 (Journées d’Analyse Musicale 2019 – JAM19), Paris, 29–30 November 2019
 * 135) Skalkottas Today, Athens, 29 November–1 December 2019
 * 136) Popular songs in the 19th Century, Lucca, Italy, 30 November–2 December 2019
 * 137) Music in the Context of Culture, Tbilisi, Georgia, 2-4 December 2019.
 * 138) Technology in Musical Performance Symposium (TiMP), Birmingham, UK, 3 December 2019.
 * 139) Ignacio Jerusalem 250: Galant Musics in Italy, the Iberian Peninsula, and the New World, Baeza, Spain, 3–5 December 2019
 * 140) Heitor Villa-Lobos and Europe, On the 60th Anniversary of His Death, Lisbon, 6-7 December 2019
 * 141) Music and Politics in the 1930s, Melbourne, 7–8 December 2019
 * 142) "Conflict-/-Collaboration" 42nd Musicological Society of Australia Conference, Melbourne, 7–9 December 2019
 * 143) Music of Great Britain and Russia: Parallels and Intersections, Moscow, 9–11 December 2019
 * 144) Sound (of) Space Symposium, London, 11 December 2019
 * 145) IV International Contemporary Piano Meeting, Porto, Portugal, 12–14 December 2019
 * 146) Yuri Falik: Metamorphoses of Life And Work, St. Petersburg, Russia, 13–15 December 2019.
 * 147) Music in the Disruptive Era: The Digital, the Internet and Beyond, Lucca, Italy, 14–16 December 2019
 * 148) Les champs musicaux et sonores de la barbarie moderne, Poitiers, 18-20 December 2019

= 2018 =


 * 1) BFE/RMA Research Students Conference 2018, Huddersfield, 4–6 January 2018
 * 2) Large Objects Moving Air 2018, London, 8 January 2018
 * 3) Research Hands on PIANO, Aveiro, Portugal, 24–7 January 2018
 * 4) Education for Music Entrepreneurship Seminar, Oslo, 25–6 January 2018
 * 5) Mapping the Musical City – a historically savvy symposium, London, 2 February 2018
 * 6) International conference for PhD students, 'Musicology (in)action: Past musics, present practices, future prospects', Thessaloniki, 9–11 February 2018
 * 7) Bach on Screen, Berea, Ohio, USA, 18 February 2018
 * 8) Orpheus Seminar 2018 'The Power of Musical Networks', Ghent, 21–2 February 2018
 * 9) Creative HPME Pedagogy Symposium, Bath, 24 February 2018
 * 10) Public Music Discourse: In Honor of the Bernstein Centenary, Columbia, SC, USA, 2–3 March 2018
 * 11) New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury, 2–3 March 2018)
 * 12) The Listening Experience Database Project Conference 2018, Milton Keynes,

6–7 March 2018
 * 1) Dislocations: Reassessing Ligeti’s Many Worlds in the 21st Century, Chicago, 7–8 March 2018
 * 2) Musical Culture in the Wars of Religion, 1550-1650, Cambridge, 17–18 March 2018
 * 3) The Nordic Ingredient – European Nationalisms in Norwegian Music after 1905 – Joint Conference, Bergen, 20–21 March 2018
 * 4) Opera and Musical Theater in the United States, Murfreesboro, TN, USA, 23–5 March 2018
 * 5) SEMPRE Spring Conference: MET 2018, London, 26–7 March 2018
 * 6) Rethinking Sound 2018, Seoul, 30–31 March 2018
 * 7) Musicology in the Age of (Post)Globalization, New York, 3–6 April 2018
 * 8) Music and Gender in Balance, Tromsø, Norway, 5–6 April 2018
 * 9) Seeing and Hearing the “Beyond”: Art, Music, and Mysticism in the Long- Nineteenth Century, London, 5–7 April 2018
 * 10) London Stage and the 19th-Century World II, Oxford, 5–7 April 2018
 * 11) “Music and Acoustic Spaces in the Civil and Ecclesiastical Institutions of the Iberian Peninsula” (MEDyREN Conference) Spanish Society of Musicology, Guadalupe, Spain, 6–7 April 2018
 * 12) SMA Theory and Analysis Graduate Students (TAGS) Conference, Durham, 7–8 April 2018
 * 13) Wagner 1900, Oxford, 9–11 April 2018
 * 14) Serge G.: An International Conference on Serge Gainsbourg, Paris, 9–11 April 2018
 * 15) Musicking: Cultural ConsiderationsMusicking: Cultural Considerations, Eugene, OR, USA, 10–14 April 2018
 * 16) Together in Music: Expression and Communication in Ensembles, York, 12–14 April 2018
 * 17) Music History and Historical Materialism: Reflections and Possibilities, London, 13 April 2018
 * 18) Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research, London, 16–17 April 2018
 * 19) Music and Freedom. The 150th Anniversary of the Glorious Revolution, 20–21 April 2018
 * 20) Musica Scotica 2018: 13th Annual Conference, Stirling, 20–21 April 2018
 * 21) Material Cultures of Music Notation, Utrecht, 20–22 April 2018
 * 22) Sonorities Symposium 2018: Techno–Human Encounters, Belfast, 21 April 2018
 * 23) Bulgarian Culture in the First Half of the XX Century, Interactions and Music Contacts, 25–6 April 2018
 * 24) Church Music and Worship Conference, Durham, 27–8 April 2018
 * 25) Reading Musicals: Sources, Editions, Performance, Carmel, IN, USA, 9–11 May 2018
 * 26) 7th Annual Meeting of the Historical Keyboard Society of North America (HKSNA), “Professionals and Amateurs: The Spirit of Kenner und Liebhaber in Keyboard, Composition, Performance and Instrument Building”, Ann Arbor, MI, USA, 9–12 May 2018
 * 27) Symphonism in Nineteenth-Century Europe, Oviedo, Spain, 10–12 May 2018
 * 28) “Music Theory” – 9th International Hisarlı Ahmet Symposium, Kütahya, Turkey, 10–12 May 2018
 * 29) International Congress on Musical Signification, Cluj-Napoca, Romania, 11–15 May 2018
 * 30) Study Day and Workshop on Music, Well-being and Mental Health, York, 12–13 May 2018
 * 31) Mauricio Kagel 2018 – Performance and Interpretation, Cologne, 13–15 May 2018
 * 32) Louise Dyer and Editions de l’Oiseau-Lyre: The Establishment of a Music Press, Melbourne, 18–19 May 2018
 * 33) Rethinking musical transcription and arrangement, Cambridge,19 May 2018
 * 34) Ligeti: a Portrait with Reich and Riley, Cluj-Napoca, Romania, 21–2 May, 2018
 * 35) Music Encoding Conference 2018, College Park, Maryland, USA, 23–4 May 2018
 * 36) Music & The Moving Image Conference, New York, 24–7 May 2018
 * 37) CONMUSTERM: Terminology research in musicology and the humanities, Zagreb, 25–6 May 2018
 * 38) Diaspora Sounds: Innovation and Creativity in Music Learning and Performance, London, 1 June 2018
 * 39) The Soundscape of the Venetian Terraferma in the Early Modern Era. International Conference celebrating 475 Years of the Accademia Filarmonica of Verona, Verona, 1–3 June 2018
 * 40) Inside, Outside, and in Between: Institutionalization in Music History. Fifth Sibelius Academy Symposium on Music History, Helsinki, 6–8 June 2018
 * 41) 3rd International Conference on Historical Keyboard Music: Authorship in Historical Keyboard Music, Lisbon, 7–9 June 2018
 * 42) Surrealism and music in France, 1924-1952: interdisciplinary and international contexts, London, Friday 8 June 2018
 * 43) Music 625: The Performance of Music on Television, c.1955-’85, Leeds, 8–9 June 2018
 * 44) XXIst Century Challenges to the History of XVIIIth Century Musical Aesthetics, Turin, 11–12 June 2018
 * 45) POPVision, The U2 Conference 2018, Belfast, 13–15 June 2018
 * 46) 10th Music and Media meeting, Salamanca, 13–16 June 2018
 * 47) Music and Literature: Innovations, Intersections and Interpretations, Edinburgh, 14–15 June 2018
 * 48) The Fourth Annual Representations of Early Music on Stage and Screen (REMOSS) Conference: Music and Medievalism, Edinburgh, 15–16 June 2018
 * 49) Practitioner Knowledge: Musicology, Music Performance, Education and Therapy, Stavanger, 18–20 June 2018
 * 50) Oxford Conducting Institute International Conducting Studies Conference 2018, Oxford, 21–3 June 2018
 * 51) Between ecstasy and inspiration: wine and music in the visual arts, Bordeaux, 21–3 June 2018
 * 52) 1st Academic Conference on “Music, Communication and Performance”, Montecassiano, Italy, 23–4 June 2018
 * 53) Connections and Communication in Instrumental and Vocal Teaching, 26–27 June 2018
 * 54) Fifth International Conference on Analytical Approaches to World Music (AAWM 2018), Thessaloniki, Greece, 26–9 June 2018
 * 55) Music, Medievalism, and Modernism: Between Old and New, Huddersfield, 27–8 June 2018
 * 56) The Anatomy of Polyphonic Music around 1500, Cascais, Portugal, 27-30 June 2018
 * 57) 1st International Conference on Artistic Research in Performance, Manchester, 28–9 June 2018
 * 58) A ‘Musical League of Nations’?: Music Institutions and the Politics of Internationalism – a Symposium, London, 29–30 June 2018
 * 59) Centennial Reflections on Women’s Suffrage and the Arts, Guildford, 29–30 June 2018
 * 60) Ninth International Conference Music /Sonic Art: Practices and Theories, Karlsruhe, Germany, 28 June–1 July 2018
 * 61) RMA Music and/as Process Study Group 6th Annual Conference, Edinburgh, 29 June–1 July 2018
 * 62) “Padron mio colendissimo…”: Letters About Music And Stage in the 18th Century, Queluz, Portugal, 29 June–1 July 2018
 * 63) Cripping the Muse: Music & Disability Studies, Leeds, 4–5 July 2018
 * 64) CityMAC 2018, London, 5–7 July 2018
 * 65) Performance Studies Network International Conference, Oslo, 5–8 July 2018
 * 66) Body, concepts, canon, constructions: Sex and gender in New-Music discourse since the 1950s, Hamburg, 6–8 July 2018
 * 67) Music and image in cultural, social and political discourse, Canterbury, 9–12 July 2018
 * 68) Institute for Russian Music Studies 2018 Annual Conference – “Russian – Italian Musical Connections”, Vipiteno, Italy, 11–13 July 2018
 * 69) 18th Biennial International Conference on Baroque Music, Cremona, 10–15 July 2018
 * 70) ICMPC ESCOM, Graz 23–8 July 2018
 * 71) FLUTE: Hands on Research 2018, Aveiro, Portugal, 28–31 July 2018
 * 72) The North American British Music Studies Association Eighth Biennial Conference, Logan, Utah, USA, 30 July–1 August 2018
 * 73) isaScience 2018 “Participatory Approaches to Music & Democracy”, Vienna, 10–14 August 2018
 * 74) HuCPeR 19th Century Salon, Huddersfield, 28 August–1 September 2018
 * 75) 3rd festival conference of music performance and artistic research “Doctors in Performance”, Vilnius, 4–6 September 2018
 * 76) Editing, Performing and Re-Composing the Musical Past – The Emergence of French Neoclassicism (1870–), Birmingham, 5–7 September 2018
 * 77) Music and Musicology in the Age of Post-Truth, Dublin, 7–8 September 2018
 * 78) Archival Study Event, Oxford, 10 September 2018
 * 79) Perspectives on Historically Informed Practices in Music Conference, Oxford, 10–12 September 2018
 * 80) Royal Musical Association Annual Conference 2018, Bristol, 13–15 September 2018
 * 81) SPARC Symposium 2018: Socio-Sonic, London, 14–15 September 2018
 * 82) Art Bands, DiY Music and Cultural Identity in an Age of Transnational Mobility, Reading, 21 September 2018
 * 83) Towards Best Practice: Teaching Singing in Higher Education – Core competencies, London, 22 September 2018
 * 84) International Chopinological Conference: ‘The integration of a work: from miniature to large scale’, Warsaw, 26–8 September 2018
 * 85) “Cardinal Cisneros and Music” Symposium – El cardenal Cisneros y la Música, Toledo, 27–9 September 2018
 * 86) RMA Study Day: “Il aimait un automate!” Exploring the complex relationship of opera and technology in history and current practice, Belfast, 4 October 2018
 * 87) Machines and the Musical Imagination (1900–1950), Ottawa, 5 October 2018
 * 88) “L’abbé Gounod”: French Sacred Music during the romantic era, Lucca, Italy, 5–7 October 2018
 * 89) “L’abbé Gounod”: French Sacred Music during the romantic era, Lucca, Italy, 5–7 October 2018
 * 90) Iberian musical crossroads through the ages: Images of music-making in their transcultural exchanges, Barcelona, 17–19 October 2018
 * 91) Conference on Interdisciplinary Musicology CIM18 “Meaning and Music”, Poznań, 17–20 October 2018
 * 92) Symposium and Workshop: South African Opera Productions after the Apartheid, Bayreuth, 18–19 October 2018
 * 93) Pop – Power – Positions, Bern (Switzerland), 18–20 October 2018
 * 94) Rossini after Rossini: Musical and Social Legacy (1868-1918), Lucca, Italy, 19–21 October 2018
 * 95) XXV Annual Conference Of Italian Musicological Society, Bolzano, Italy, 19–21 October 2018
 * 96) Vocal Sound and Style 1450 to 1650, Brighton, 20–21 October 2018
 * 97) Fusion and Transformation – Asian Contemporary Compositions since 1990, Taipei, Taiwan, 20 & 23 October 2018
 * 98) AEC and CEMPE Learning and Teaching Conference, Oslo, 24–6 October 2018
 * 99) 46th International Baltic Musicological Conference 'Cultural Change and Music Criticism', Vilnius, 23–6 October 2018
 * 100) XIV. International Conference – CONTEXTUALITY OF MUSICOLOGY – What, How, Why and Because, Belgrade, 24–7 October 2018
 * 101) Notated Music in the Digital Sphere: Possibilities and Limitations, Oslo, 25 October
 * 102) The London International Piano Symposium: Researching at the Interface between Science and the Art of Piano Performance, London, 28–30 October 2018
 * 103) Technologies of singing. Investigations of the dispositive singing – body – media at the dawn of sound recording, Detmold, Germany, 2–4 November 2018
 * 104) EMR and the Church, Durham, 5 November 2018
 * 105) Modes, Church Tones, Tonality: Tonal Spaces, c. 1550 – c. 1720, Ferrara, Italy, 8­–10 November 2018
 * 106) SEMPRE Autumn Conference 2018, Leeds, 9–10 November 2018
 * 107) Principles of Music Composing: Links Between Audiation and Composing, Vilnius, Lithuania, 13–15 November 2018
 * 108) Music and Figurative Arts in the Nineteenth Century, Lucca, Italy, 16–18 November 2018
 * 109) Fifth International Romantic Brass Symposium, Biel/Bienne, Switzerland, 20–22 November 2018
 * 110) Listening Experience Database one-day conference: Digital methodologies for understanding musical experience, London, 21 November 2018
 * 111) Music and Figurative Arts in the Nineteenth Century, Lucca, Italy, 16–18 November 2018
 * 112) Fifth International Romantic Brass Symposium, Biel/Bienne, Switzerland, 20–22 November 2018
 * 113) Listening Experience Database one-day conference: Digital methodologies for understanding musical experience, London, 21 November 2018
 * 114) Journées d’Analyse Musicale 2018 – C. Debussy, F. Couperin and French music: analyses, theories, performances, Aix-en-Provence, 23–4 November 2018
 * 115) Opera as Institution: Networks and Professions (1700–1914), Graz, 23–4 November 2018
 * 116) Pedagogies, Practices and the Future of Folk Music in Higher Education II Conference, Järvenpää, Finland, 28–30 November 2018
 * 117) Self-Borrowing in Nineteenth-Century Italian Opera: A Reconsideration, Maynooth, Ireland, 30 November 2018
 * 118) Thirty-fourth Annual Conference on Music In Eighteenth-Century Britain, London, 30 November 2018
 * 119) Spain and Musical Exoticism, Melbourne, 30 November–1 December 2018
 * 120) Elvis lives in Amsterdam: Manifestations of the imaginary musician, Amsterdam, 29 November–1 December 2018
 * 121) Ars Antiqua III: Music and Culture in Europe, c1150-c1330, Lucca, Italy, 30 November–2 December 2018
 * 122) Instrumental Theatre. Music and the Stage in Latin America (1954-2006), Buenos Aires, 3–5 December 2018
 * 123) Music and the Internet: a Joint Study Day of the RMA & BFE, Oxford, 8 December 2018
 * 124) Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures, Leicester, 13–14 December 2018