Forthcoming conferences

= Conferences in musicology =

Announcements can be made on this page for conferences in any language, anywhere in the world. You are free to add any musicological conference to this list. A full archive of Golden Pages conference announcements is available here. For other sites listing conferences, see details at the bottom of this page. To subscribe to the Musicology-All mailing list, of which Harper-Scott and Summers are also moderators, click here.

How to announce a conference
For those unfamiliar with wiki editing, instructions can be read here. It's actually very easy.

To advertise your conference, please follow these steps:

'NB Do not omit step 3. It is absolutely vital that you add your newly created advert to the page you are currently viewing, and that you put it in the correct chronological position. If you do not include a link here, nobody will find your conference advert.'


 * 1) Create a new page for your advert. This simply requires you to type your conference's title into your browser's search bar, preceded by the text 'https://goldenpages.miraheze.org/wiki/' (without quotation marks). Once you have done so, hit Enter, and you'll be given the option to create a new page at the new URL you have created.
 * 2) Fill in all the details you require.
 * 3) DO NOT OMIT THIS STEP. Create a link to your event, correctly place chronologically, in the current page's list of forthcoming conferences. Follow the formatting of existing entries:
 * Give the name of your conference, and make the conference's full name a hyperlink pointing to your conference's new page
 * State the location of the conference (city name, adding the state and country if you think that is helpful, or 'online')
 * Give the date of your conference in this form: 1 March 2021

Finally, if you're of a tidy frame of mind, and you notice that one or more items at the top of the current list are advertising events that are now in the past, please add them to the foot of the conference archive page.

Alternative conference formats
Academic flying contributes significantly to global warming and the carbon footprint of individual scholars and researchers. In 2021, as a result of COVID-19, many colleagues experimented with virtual, hybrid, and multi-hub conference formats. Colleagues who are planning a conference will find useful tips in the following articles:

Klöwer, M., Hopkins, D., Allen, M., and Higham, J. (2020). An Analysis of Ways to Decarbonize Conference Travel After COVID-19. Nature 583, 356–359. full text

Middleton, C. (2019). Environmental Sustainability Goals Drive Changes in Conference Practices. Phys. Today 72 (9), 29–31. full text

Parncutt, R., Lindborg, P., Meyer-Kahlen, N., & Timmers, R. (2021). The multi-hub academic conference: Global, inclusive, culturally diverse, creative, sustainable. Frontiers in Research Metrics and Analytics. full text

Quinton, J. N. (2020). Cutting the Carbon Cost of Academic Travel. Nat. Rev. Earth Environ. 1 (1), 13. full text

van Ewijk, S., and Hoekman, P. (2020). Emission Reduction Potentials for Academic Conference Travel. J. Ind. Ecol. 25, 778–788. full text

'''CALL FOR PAPERS

International Conference

Musical and Theatrical Migrations: Performance Practice in 17th and 18th-century Europe Queluz National Palace, Portugal July 8th - 10th, 2022

Organization: Divino Sospiro – Centro de Estudos Musicais Setecentistas de Portugal Centre de Musique Baroque de Versailles

Scientific Committee: Barbara Nestola, Iskrena Yordanova, José Camões, Paologiovanni Maione, Thomas Leconte

The 10th international conference at the Queluz National Palace is organized by DS-CEMSP in partnership with CMBV, in the context of the Saison France-Portugal – Temporada Portugal-França promoted by the Institut Français and the Portuguese Prime Minister. The circulation and the international exchange of composers, librettists, singers, musicians, theatrical architects, costume designers in 17thand 18th -century Europe modified the taste, creating new artistic expressions. Over the last decades this phenomenon has raised the attention of some important studies in the musicological field which brought new perspectives to understand the influences exerted by these transnational movements. Considering the similarities of both institutions, which share the combination of research in music and theatre and performance studies and practice, the organizers intend to propose a conference aimed to contribute to improve the dialogue about the musical and theatrical migrations of the 17thand 18th centuries in Europe, with a focus on specific matters concerning the performance practice and its development.

Investigations will also have to place emphasis on existing cultural ties between France and Portugal within the proposed temporal frame, either directly, or indirectly through the influences of third countries such as the Italian states, Austria, or other Mediterranean countries. Another primary aim of the conference is to concentrate the attention on the phenomenon of the contemporary circulation of the baroque repertoire. TOPICS: 1.   Transnational movements of musical and theatrical repertoires and artists (composers, singers, musicians, actors, scenographers, etc.). The reasons and forms for the adaptation to new contexts: aesthetical, linguistical, pragmatical circumstances and specific approach to the foreign realities. 2.   The circulation of repertoires and artists between principal and peripheric centres of musical and theatrical production (and vice-versa), and how the artistic creation was adapted to specific performative spaces, according to the existing artistic, technical, political, or social differences. 3.   The diplomacy as cultural outpost. Often artistic strategies destined to leave a legacy in the history of music and theatre, were defined through the exchanges of couriers. Ministers favored or promoted careers, made pieces of repertoire available to other audiences, and even supported practitioners in their difficult travels by planning profitable tours. They stood behind extraordinary artists and protected with their authority many stage performers, and carefully observed the cultural and musical life of the countries where they resided, transmitting precious information. 4.    The musical training abroad: how the circulation of young artists, who received musical education in the main European centres, was influencing and changing the taste in their homeland. 5.   Contemporary migrations of baroque and classical repertoire, exploring the circulation and adaptation to different publics in the global world, including the transcontinental migrations.

Scholars are invited to submit individual proposals. Each paper shall not exceed 20 minutes. Session proposals will be accepted as well: a maximum of three or four papers will be taken into consideration, and the session should not exceed 1h30. Official languages of the conference are Portuguese, French, English, Italian and Spanish. Abstracts in Word format (.doc), should not exceed 300 words. Please enclose in the same file a brief curriculum vitae of 150 words max., providing your name and surname, postal address, e-mail and telephone number, as well as your institutional affiliation. Please indicate to which topic your proposal belongs.

Deadline for sending abstracts is March 1st, 2022

E-mail: franceportugal2022@gmail.com

The scientific board will examine all the abstracts by March 10th,2022 and contributors will be informed immediately thereafter.

'''

February 2022

 * 1) Rethinking music and the educational act: What shall we do with the children?, online, University of Aveiro, 18 February 2022
 * 2) Music cognition in theory and practice: Prediction, creativity, and cultural evolution, online, Vienna AT, 23-25 February 2022

March 2022

 * 1) Scriabin@150: Conference and Celebration, online and in-person, Reading UK, 12-13 March 2022
 * 2) The 21st Century Guitar, online and in-person, Ball State University, Muncie, Indiana, 17-20 March 2022
 * 3) Environmental Opera Research conference, online and in person, Sibelius Academy, University of the Arts Helsinki, Finland, 18 March 2022

April 2022

 * 1) Women and Gender in Art Music of the Eastern Bloc: Current Perspectives, Future Directions, online, 1 April 2022
 * 2) Scarlatti Sonatas on harpsichord and piano: performance praxis and tradition of studies, Bologna, Italy, Conservatorio di Musica "G.B. Martini", 1-2 April 2022
 * 3) Raubgut – Fluchtgut / Looted Assets – Flight Assets, Brienz, Switzerland, Geigenbauschule, 4/5 April 20222
 * 4) La Péniche Opéra 1982–2015, Paris et Poitiers (FR) 4–10 April 2022
 * 5) Perpetual encounter: globalization, cosmopolitanism, and acculturation in music, online, 7 April 2022
 * 6) SEMPRE MET and TMOHE joint conference, Online, 7–8 April 2022
 * 7) [Https://goldenpages.miraheze.org/wiki/Monograph_of_an_Artist._Man_Music_Culture Monograph of an Artist. Man - Music - Culture (18th International Conference from the series "Musica Practica, Musica Theoretica")], Poznań, Poland, 12-13 April 2022
 * 8) Differentiating Sound Studies: Politics of Sound and Listening, Hybrid, Seoul, South Korea, 15-16 April 2022
 * 9) Experimentation and Beyond in Music,  Porto, Portugal, 15-16 April 2022
 * 10) MCICM Digital Symposium, Borderlands: Classical Music and Society, Online/Maastricht, 20-23 April 2022
 * 11) Carl Nielsen – European Composer, Copenhagen, 21–22 April 2022
 * 12) Ludo2022 Conference on Video Game Music and Sound, London, 21-23 April 2022
 * 13) Sounding Habsburg: Sonic Circulations in Central Europe, New York City (USA) 22-23 April 2022
 * 14) Composers and Applied Music International Conference, Bydgoszcz (Poland), 27-28 April 2022
 * 15), Oviedo, Online, 27 & 28 April 2022
 * 16) Wild Energies: Live Materials, Online, 28 & 29 April 2022
 * 17) Towards a History of Music Criticism in Spain International Conference, Almeria (Spain), 28-30 April 2022
 * 18) Naming, Understanding, and Playing with Metaphors in Music, Online, 29-30 April 2022

May 2022

 * 1) Artistic Research: Various Fields, Approaches, Experiences, online and in-person, Riga, Latvia, 5-7 May 2022.
 * 2) Eighth International Conference on Music and Minimalism, Bowling Green State University, Ohio (USA), 5-8 May 2022.
 * 3) Musical Exoticism in the Long Nineteenth Century (1789-1918), Oviedo, Edificio Histórico de la Universidad, 12 – 14 May 2022.
 * 4) Classical Music in Contemporary Media and Society, Gothenburg, 13-15 May 2022.
 * 5) César Franck Symposium, Liège, Belgium, 15-17 May 2022.
 * 6) Internet Musicking: Popular Music and Online Cultures, Cork, Ireland & Online, 20-21 May 2022.
 * 7) Xenakis 22: Centenary International Symposium, Athens & Nafplio, Greece, 24-29 May 2022.
 * 8) (Elective) Affinities: Collaborative Cultural Action, Hannover, Germany, 26–28 May 2022.
 * 9) Music and the Moving Image XVIII, New York City, 26-29 May 2022

June 2022

 * 1) Conference on Interdisciplinary Musicology CIM22: Participation, Edinburgh, UK & Hong Kong, HK, 8-10 June 2022
 * 2) Exile, Modernism and Hollywood, University for Music and Performing Arts Vienna, 11-12 June 2022
 * 3) Analytical Approaches to World Musics 2022, Sheffield, UK, 14-17 June 2022
 * 4) 2nd Global Piano Roll Meeting, Bern/Seewen (Switzerland), 17–20 June 2022
 * 5) Music since 1900, Twelfth Biennial International Conference, Royal Birmingham Conservatoire, UK, 17-20 June 2022
 * 6) 300 Years of Bach's CBT, Torino (Italy), 21-22 June 2022
 * 7) Society for Musicology in Ireland Annual Plenary Conference, University College Cork, Ireland, Online, 24-26 June 2022
 * 8) 5th AEMC Conference on Music, Communication and Performance, online, 25-26 June 2022
 * 9) PSN2022: Sixth International Performance Studies Conference, University of Surrey, UK, 30 June-3 July 2022
 * 10) Music as a profession: status, careers and organizations (18th-20th centuries), Universidade Nova de Lisboa/New University of Lisbon, Portugal, 30 June-1 July 2022

July 2022

 * 1) 2022, 50th Medieval and Renaissance International Conference (Med-Ren) Uppsala University, Sweden 4-7 July 2022
 * 2) Second Conference on Music and Eye-Tracking, Frankfurt a.M., Germany, and online, 7-8 July 2022
 * 3) Music/Sound Through the Lens of Trauma: Methodology, Theory and History, Utrecht, Netherlands, and online, 7-8 July 2022
 * 4) Music and the University: History, Models, Prospects, City, University of London, UK, 7-9 July 2022
 * 5) Society for Music Analysis Annual Conference (NewMAC)|Society for Music Analysis Annual Conference, Newcastle University, UK, 11–13 July 2022
 * 6) Russian Music Conference, Vipiteno, Italy, 11-16 July 2022
 * 7) Scoring Peak TV, RNCM, Manchester, UK, 14-16 July 2022
 * 8) Music-Cultural Exchange and the Nineteenth-Century Salon, Institute of Art History, Czech Academy of Sciences, Prague, Czech Republic / Online, 18-19 July 2022
 * 9) 24th International Conference on Wind Music, Bolzano (Italy), 19-24 July 2022
 * 10) North American British Music Studies Association (NABMSA) Tenth Biennial Conference, Illinois State University (+hybrid), US, 21-24 July 2022

August 2022

 * 1) IMS2022: 21st Quinquennial IMS Congress, Athens, 22–26 August 2022

September 2022

 * 1) Challenge and Change in Popular Music The 2022 IASPM-UK/Ireland Branch Conference Liverpool, UK, 31 AUgust – 2 September 2022
 * 2) Popular Music Theory & Analysis Summer School, IPM-IPM-SMA, Liverpool, UK, 3–5 September 2022
 * 3) Royal Musical Association 58th Annual Conference, Durham, UK, 8–10 September 2022
 * 4) Music, Migration and Mobility: An Interdisciplinary International Conference Online, London, UK, 12-14th September 2022
 * 5) Transnational Networks of Operetta, Bern, Switzerland, 14-16 September 2022
 * 6) Music & Visual Culture in England, 1400-1750, Stratford Upon Avon, UK, 15-16 September 2022
 * 7) Wagnerian myths and Wagnerian reception in Spain: literature, visual arts, architecture, music and cinema, Barcelona, Spain, 15-16 September 2022
 * 8) Musical Interactions, 1400-1650, Prague, Czech Republic, 14-17 September 2022

October 2022

 * 1) Interdisciplinarity of Music Theory: Knowledge of Music between History, Poetics, Theories and Criticism, Belgrade, Serbia, hybrid event, 7–9 October 2022
 * 2) Music and Institutions in Fascist Italy, (Virtual Conference), 7-9 October 2022
 * 3) THE BLUE KNIGHT: CHARLES ROSEN 1927-2012 INTERNATIONAL BILATERAL COLLOQUIUM ITALY-PORTUGAL, Porto (Portugal), 20-22 October 2022
 * 4) IMSEA 2022: The Regional Association for East Asia of the International Musicological Society, Daegu, 21-23 October 2022
 * 5) Psychology and Music – Interdisciplinary Encounters (PAM-IE Belgrade 2022), Belgrade, Serbia, hybrid event, 26–29 October 2022
 * 6) Sexuality and Eroticism on the Lyric Stage, (Virtual Conference), 28 – 30 October 2022

November 2022

 * 1) Women’s Agency in Schuberts Vienna, Vienna, Austria, 3 – 5 November 2022
 * 2) Hanns Eisler’s Music and Discourses from the Perspective of Gender, Humboldt-University, Berlin, Germany (hybrid) 4–6 November 2022
 * 3) International conference Ballet in Musical Theater: History and Present Time Moscow, Russia,  21 – 25 November 2022
 * 4) J. A. Reincken in the Focus: 1722-2022, Hamburg, Germany, 24 – 26 November 2022
 * 5) Transcending Nationalism: Music in Russia and East-Central Europe at the Turn of the 19th Century, (Virtual Conference), 25 – 27 November 2022

December 2022

 * 1) Music and the Spiritual since the French Revolution, (International Conference), Siena (Italy) 1 – 3 December 2022
 * 2) Music Pedagogy Then and Now. From the Classical Antiquity to the Renaissance, (Virtual Conference), 09 – 11 December 2022

March 2023

 * 1) Musik-Diskurse nach 1970 – Music Discourses after 1970, Bern, Switzerland, 23–25 March 2023

May 2023

 * 1) Dis|continuities: Opera and its Historiograph between the Weimar Republic and Early Post-War West Germany, Bonn, Germany, 18–21 May 2023