Pre-2020 conferences

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This is an archive of musicology conferences before 2020

2019[edit]

  1. Gaiety, Glitz and Glamour, or Dispirited Historical Dregs? A Re-evaluation of Operetta, Leeds, 10–12 January 2019
  2. BFE/RMA Research Students’ Conference, Sheffield, 10–12 January 2019
  3. Documenting Jazz, Dublin, 17–19 January 2019
  4. Oper im Wechselspiel der Medien: Transformationsprozesse der Oper durch Digitale Medien und das Filmische/Audi-Visuelle in Zeiten von Krisen und Reformen, Munich, 17 January 2019
  5. Sound and Music in the Prism of Sound Studies, Paris, 24–6 January 2019
  6. Mieczysław Weinberg Centenary International Conference, Manchester, 24–7 January 2019
  7. “Vierhändig, immer einmal!” Piano Four Hands Music Symposium, Graz, 25–6 January 2019
  8. Notation for Improvisors, London, 9 February 2019
  9. Annual Meeting of the Society for Christian Scholarship in Music, Toronto, 14–16 February 2019
  10. Sixth International Conference Music and Audio-visual Culture MUCA, Murcia, 14–16 February 2019
  11. From Authorship and Spectatorship to Usership in Music, Ghent, 21-22 February 2019
  12. Historical Fictions Research Network. Radical Fictions, Manchester, 22–3 February 2019
  13. Music and Materialisms, Kingston, 23 February 2019
  14. International Conference ‘Modality in Music’, Łódź, 6–8 March 2019
  15. International Women and/in Musical Leadership Conference, London, 7-8 March 2019
  16. Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year, St Petersburg, 18-20 March 2019
  17. Influence of the Arts in the Middle Ages: Reflexions on the Aquitanian Ms. Paris, BnF, latin 1139, Paris, 19–21 March 2019
  18. Música Analítica 2019: Porto International Symposium on the Analysis and Theory of Music, Porto, Portugal, 21–3 March  2019
  19. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
  20. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
  21. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
  22. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
  23. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
  24. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
  25. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
  26. International conference 'Musical composition: from intention to opus', Moscow, 9–11 April 2019
  27. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
  28. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
  29. Rhythm Changes Conference, Graz, 11–14 April 2019
  30. International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019
  31. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
  32. Nordic Music RMA Study Day, York, 29 April 2019
  33. Imaging Emigration––Translating Exile: Cultural Translation and Knowledge Transfer on Alternative Routes of Escape from Nazi Terror in/via Austria, Vienna, 1–3 April 2019
  34. CHRÓNOS. An International Multi-Disciplinary Percussion Symposium, Brownsville, TX, USA, 4–5 April 2019
  35. Leopold Mozart and Life in the Age of Enlightenment, Salzburg, 4–6 April 2019
  36. Syntagma Musicum, 1619–2019, Ljubljana, 8–9 April 2019
  37. Patterns – Models – Dеsigns, Sofia, 8–9 April 2019
  38. “Musica Practica, Musica Theoretica” – In Search of the Composer’s Idiom: Poetics, Stylistics, and Technique, Poznań, 9–10 April 2019
  39. Italian Musical Migration to the British Isles, 1700-1950, Birmingham, 10 April 2019
  40. International conference 'Musical composition: from intention to opus', Moscow, 9–11 April 2019
  41. National Musical Cultures in the Central and South-Eastern Europe: Initiatives and Arguments, Development and Dialogue, Cluj Napoca, Romania, 11 April 2019
  42. The Multivalent Voice in Transcultural Music-Making, Istanbul, 11–13 April 2019
  43. Rhythm Changes Conference, Graz, 11–14 April 2019

International Forum for Young Art Researchers Science Spring – 2019, Moscow, 16–19 April 2019

  1. Again and Again: Musical Repetition in Aesthetics, Analysis and Experience, London, 25–6 April 2019
  2. Nordic Music RMA Study Day, York, 29 April 2019
  3. Third Tbilisi International Musicological Conference (TIMC) – “Musicology with and without Borders”, Tblisi, Georgia, 2–3 May 2019
  4. Sensing Colonial Ports and Global History: Agency, Affect, Temporality, Oxford, 2–3 May 2019
  5. Musica Scotica Annual Conference, Stirling, 3–5 May 2019
  6. The Importance of Tuning for better performance, Hammerwood, 6 May 2019
  7. NoiseFloor 2019, Stoke-on-Trent, 7–8 May 2019
  8. On the Record: Critical Approaches to the Musical Theatre Cast Album, Sheffield, 9–10 May 2019
  9. Singing Speech and Speaking Melodies: Musical Theatre (1650-1918), Oviedo, Spain, 9–11 May 2019
  10. The Work Level in RISM, Mainz, 9–11 May 2019
  11. The Art Song Platform: Traditions and Current Practices, London, 10 May 2019
  12. Historical Keyboard Society of North America Eighth Annual Meeting | Il Gusto Italiano: Italian Style and Transalpine Exchanges in Early Keyboard Music, Huntsville, Texas, USA, 13–15 May 2019
  13. Interdisciplinary conference "Orgelpredigten in Europa (1600-1800). Musiktheoretische, theologische und historische Perspektiven", Regensburg, 16–18 May 2019
  14. Fourth Annual Conference, "Historical Performance: Theory, Practice, and Interdisciplinarity", Bloomington, IN, USA, 17–19 May 2019
  15. The Culture-Making Role of Musical Patronage. Contexts – Meanings – Perspectives, Wrocław, Poland, 22–4 May 2019
  16. Royal Music Association Study Day, The Classical Musician in the 21st Century, Cambridge, 23 May 2019
  17. Beethoven in the periodical press: reception, perceptions and discursive uses of his figure and his music (XIX-XXI centuries) (7th MUSPRES), La Rioja, Spain, 23–4 May 2019
  18. International Conference 'Explicitly Intertextual Music since 1890', Gdańsk, 23–4 May 2019
  19. Words, Music and Gender, Maribor, Slovenia, 24–5 May 2019
  20. The Yugoslav Idea in/of Music, Novi Sad, Serbia, 25-6 May 2019
  21. The 2nd International Conference on Performance and Creativity: Historical Keyboard Music 1700–1850, Hong Kong, 27–9 May 2019
  22. Music and Artificial Intelligence: Pasts and Futures, Opportunities and Risks, Aarhus, Denmark, 28 May 2019
  23. World of Bob Dylan, Tulsa, 30 May to 2 June 2019
  24. Sonic Imprints, Oxford, 31 May 2019
  25. Music and Sonic Art: Theories and Practices, Karlsruhe, 31 May–2 June 2019
  26. Atlantic Crossings: Music from 1492 through the Long 18th Century, Boston, 7–8 June 2019
  27. Agents and Actors: Networks in Music History, Helsinki, 3–5 June 2019
  28. Harmonisation and the Law – an interdisciplinary approach to legislative drafting, London, 4 June 2019
  29. The Unwritten in Sources of Notated Music: Reconstruction, Editing, Interpretation, and Extrapolations, Paris, 6–7 June 2019
  30. Narrativity and Popular Music, London, 7 June 2019
  31. Sounds of Mass Media: Music in Journalism and Propaganda, Växjö, Sweden, 7–10 June 2019
  32. ‘Dancing Scarlatti’ FIMTE Summer Course for Keyboardists, Garrucha-Almería, Spain, 10-13 June 2019
  33. Reboot 2019 Music Business Education Conference, London, 12 June 2019
  34. Spectralisms 2019, Paris, 12–14 June 2019
  35. Music and Visual Culture in Renaissance Italy, Sheffield, 13–15 June 2019
  36. Futures of the Real, London, 14 June 2019
  37. Domenico Scarlatti: Forwards and Backwards. 14th FIMTE Conference, Mojácar, Andalusia, 14–15 June 2019
  38. Clara Schumann (née Wieck) and her World, Oxford, 15–16 June 2019
  39. Music and Democracy: beyond Metaphors and Idealization, Huddersfield, 21 June 2019
  40. Early Recordings: Past Performing Practices in Contemporary Research, London, 22 June 2019
  41. Sonic Circulations 1900-1950, King's College London, London, 24–5 June 2019
  42. Opera and the City: Technologies of Displacement and Dissemination, Lisbon, 24–5 June 2019
  43. The Operatic Century: European Opera in Latin America during the Long Nineteenth Century (1789-1914), Cambridge, 25 June 2019
  44. Song, Stage and Screen XIV, Leeds, 26–9 June 2019
  45. Making Musical Works in Early Modern Europe 1500-1700: Composition, Improvisation, Notation and Performance, London, 27 June 2019
  46. Music and the Arts in England, c. 1670–1750, Hamburg, 27–9 June 2019
  47. Eighteen Century Theatre Capitals: from Lisbon to St. Petersburg, Queluz, Portugal, 27–9 June 2019
  48. Musicology Today: 17th Annual Conference of the Society for Musicology in Ireland, Maynooth, 28–30 June 2019
  49. Hidden Archives, Hidden Practices: Debates about music-making, Aveiro, Portugal, 28–30 June 2019
  50. AEMC Conference on Music, Communication and Performance 2nd Edition, Montecassiano, Italy, 29–30 June 2019
  51. RMA/KVNM Postgraduate International Research Symposium in Musicology, Amsterdam, 29 June 2019
  52. Moving Horns: Worldwide Migrations in Horn Playing, Ghent, 2–6 July 2019
  53. Audience Research in the Arts Conference, Sheffield, 3–5 July 2019
  54. International Conference "Rethinking The Three-Cornered Hat A Hundred Years Later", Granada, Spain, 3–5 July 2019
  55. 47th MedRen Music Conference, Basel, 3–6 July 2019
  56. Punk Pedagogies, Lincoln, 4–5 July 2019
  57. Un/masking. On a mimetic form, Munich, 4–6 July 2019
  58. The “Other” Voice: High Male Voices between Gluck and Rock, Nuremberg, 5–7 July 2019
  59. Music as Heritage: from Tradition to Product, Budapest, 1–10 July 2019
  60. IMS2019 Lucerne: Agency and Identity in Music, Lucerne, 7–10 July 2019
  61. Bach Network Dialogue Meeting 2019, Cambridge, 8–11 July
  62. Sex, Gender, and the Erotic in Russian Music, Vipiteno, Italy, 9-12 July 2019
  63. RMA Music and Philosophy 7th Biennial Conference 2019, London, 11–12 July 2019
  64. Is there a medieval 'music and philosophy'? (themed session at RMA Music and Philosophy 7th Biennial Conference 2019), London, 11–12 July 2019
  65. Jewish Music in South Germany—History, Exile, Continuance, Munich, 12‒13 July 2019
  66. International Symposium on Performance Science (ISPS), Melbourne, 16–20 July 2019
  67. The Mediterranean: Migrant Sounds, Valencia, 23–5 July 2019
  68. Music and/as Process, London, 26 July 2019
  69. ‘SotonMAC 2019’ and the Music Analysis Summer School 2019, Southampton, 27–31 July 2019
  70. Music Analysis Summer School, Southampton, 29–31 July 2019
  71. The Guitar Century (c. 1880-1980): Global Trends and Local Contexts, Melbourne, 2–4 August 2019
  72. International Conducting Studies Conference 2019, Sydney, 2–4 August 2019
  73. Just P(l)ay! Music as Labour, Reichenau an der Rax, Austria, 7–9 August 2019
  74. Music and Disruptive Pasts: Between the Popular and the Arcane, Milton Keynes, 21–2 August 2019
  75. Soldiers’ Tales: Collecting and Sharing Military and Musical Heritage, Oxford, 22 August 2019
  76. Musical Instrument Collectors and Collections, Oxford, 23–5 August 2019
  77. RASMB-IMS 2019 Conference: MUSICAL AND CULTURAL OSMOSES IN THE BALKANS, Bucharest, 2–6 September 2019
  78. Second International Conference on Women's Work in Music, Bangor, 4–6 September 2019
  79. Theatre and Performance Research Association Conference. Sound, Voice & Music WG: Listening Across, Guildford, 4–6 September 2019
  80. New Takes on Recorded Music: Performance, Creativity, Technology, Guildford, 5–6 September 2019
  81. Music in the body – body in music: The body at the intersection of musical practice and discourse, Göttingen, 5–6 September 2019
  82. Music and Sound Design for the Screen, Maynooth, 6–7 September 2019
  83. Eleventh Biennial International Conference on Music Since 1900, Huddersfield, 8–10 September 2019
  84. Researching Subcultures and Aesthetics Postgraduate Symposium: Alternative Voices in Academia, Galway, 10 September 2019
  85. OBERTO 2019: The Canon Reloaded? Operatic Repertoire in the Twenty-First Century, Oxford, 10 September 2019
  86. Royal Musical Association Annual Conference 2019, Manchester, 11–13 September 2019
  87. Music in Transmission: Teaching and Learning Traditional Music Today, Prague, 12 September 2019
  88. 10th Vienna Music Business Research Days, Vienna, 12–13 September 2019
  89. SPARC Symposium 2019: Land Music: Sound Practices in the Age of Ecological Crisis, London, 12–14 September 2019
  90. Bach at the Dawn Of 2020 – Reception And Imaginaries In The Digital Era, Dresden, 20–27 September 2019
  91. 8th International Scientific Meeting for the Study of Sound and Musical Instruments - Organological Congress, Belmonte, Portugal, 20–22 September 2019
  92. Correct, but not Beautiful Performance II: Deciphering the Hidden Messages in 19th century Notation, Vienna, 23–25 September 2019
  93. Conference on Interdisciplinary Musicology - CIM 19. "Embodiment in Music", Graz, Austria - 26–8 September 2019
  94. Stanisław Moniuszko in Polish and World Culture: New Perspectives and Interpretations. International Moniuszko Congress, Gdańsk, 27–8 September 2019
  95. Transnationalism and Transculturalism in Canadian Music, 1969-2019, Ottawa, 29 September 2019
  96. Media of Hate: Representations of Religious Persecution and Repression in Early Modern Europe, Cambridge, 3–4 October 2019
  97. MUSIC AND SPATIALITY – 13th Biennial International Conference on Music Theory and Analysis, Belgrade, 4–6 October 2019
  98. International Artistic Jazz Research Symposium, Vienna, 6 October 2019
  99. TCPM 2019 – Tracking the Creative Process in Music, Lisbon, 9–11 October 2019
  100. Russian Music in Britain – British Music in Russia, Moscow, 10–11 October 2019
  101. Our music, our world: wind bands and local social life, Aveiro, Portugal, 10–12 October 2019
  102. TTU Arts Practice Research: Scholarship, Pedagogy, and the Creative Process, Lubbock, Texas, 11–13 October 2019
  103. REEM-BASEES 2019 Annual Conference - In memoriam Stuart Campbell, Durham, 12 October 2019
  104. Music Research in Slovenia in the Past and Present, Ljubljana, Slovenia, 14–15 October 2019
  105. Music, Arts and Politics: Revolutions and Restorations in Europe and Croatia 1815-1860, Zagreb 16–19 October 2019
  106. Baroque Festivals between the Sacred and the Profane: Europe and the Atlantic, Loures, Portugal, 17–19 October 2019
  107. Performing Arts and Technical Issues in the 19th Century, Lucca, 18–20 October 2019
  108. Società Italiana Di Musicologia. 26th Annual Conference, Matera, Italy, 18–20 October 2019
  109. IMSEA Conference 2019, Suzhou, China, 18–20 October 2019
  110. In, from, and towards the Americas – Musical Migrations: Transnational Communities, Oral History and Cultural Memory. II MUSAM International Conference, Madrid, 24–5 October 2019
  111. PSYCHOLOGY AND MUSIC ̶ Interdisciplinary Encounters, Belgrade, 24 – 26 October 2019
  112. Grieg Now! IGS International Conference and Workshop 2019, Bergen, 24–7 October 2019
  113. FTSG Study Day on Phrase: Rhythm, Function and Closure, Leeds, 26 October, 2019
  114. Hands-On Research Symposium: from artistic practice to artistic research, Aveiro, Portugal, 28 October–3 November 2019
  115. Music and Lifetime Memories: An Interdisciplinary Conference, Durham, 1–2 November 2019
  116. IV ARLAC Conference, Buenos Aires, 5–9 November 2019
  117. Rethinking Austrian and German Music Studies, Guildford, UK, 6 November 2019
  118. SEMPRE Autumn Conference, Bath, 7–8 November, 2019
  119. Ka-Ching! The Sound of Money Economic, social and aesthetic aspects of money in music, Kiel, Germany, 7–10 November 2019
  120. Iconography as a Source for Music History - RMA Study Day, London, 8–9 November 2019
  121. Opera in Musical Theater: History and Present Time, Moscow, 11–13 November 2019
  122. Belonging and Detachment: Representing Musical Identity in Visual Culture, Hobart, Tasmania, 13–15 November 2019
  123. ENIM 2019 - 9th Conference on Musical Research, Lisbon, 14–16 November 2019
  124. International Workshop: 'Women as Patrons: Gender, Patronage and Cutural Transfer at the turn of the 20th century', Bern, 15–16 November 2019
  125. “Performing Clara Schumann”, Ithaca, New York, 16–17 November 2019
  126. Music Patronage in Italy from the 15th- to the 18th- Century, Lucca, Italy, 16–18 November 2019
  127. “From Field to Fiddle” – Historical Gut Strings in Production and Performance, Bern, 19–20 November 2019
  128. Principles of Music Composing: Orchestra in Contemporary Contexts, Vilnius, Lithuania, 20–22 November 2019
  129. Post-ip'19 - 5th International Post-Graduate Forum for Studies in Music and Dance, Aveiro, Portugal, 21-23 November 2019
  130. The Modern Musick-Master: Historischer und historisch informierter Musikunterricht, Basel, 21-23 November 2019
  131. The Past and Present in a Musical Work, Bydgoszcz, Poland, 26–28 November 2019
  132. Who is the 'I' that Performs?: Enacting Musical Identities, Ghent, 28–29 November 2019
  133. Music in Eighteenth-Century Britain, London, 29 November 2019
  134. French Music Analysis Conference 2019 (Journées d’Analyse Musicale 2019 – JAM19), Paris, 29–30 November 2019
  135. Skalkottas Today, Athens, 29 November–1 December 2019
  136. Popular songs in the 19th Century, Lucca, Italy, 30 November–2 December 2019
  137. Music in the Context of Culture, Tbilisi, Georgia, 2-4 December 2019.
  138. Technology in Musical Performance Symposium (TiMP), Birmingham, UK, 3 December 2019.
  139. Ignacio Jerusalem 250: Galant Musics in Italy, the Iberian Peninsula, and the New World, Baeza, Spain, 3–5 December 2019
  140. Heitor Villa-Lobos and Europe, On the 60th Anniversary of His Death, Lisbon, 6-7 December 2019
  141. Music and Politics in the 1930s, Melbourne, 7–8 December 2019
  142. "Conflict-/-Collaboration" 42nd Musicological Society of Australia Conference, Melbourne, 7–9 December 2019
  143. Music of Great Britain and Russia: Parallels and Intersections, Moscow, 9–11 December 2019
  144. Sound (of) Space Symposium, London, 11 December 2019
  145. IV International Contemporary Piano Meeting, Porto, Portugal, 12–14 December 2019
  146. Yuri Falik: Metamorphoses of Life And Work, St. Petersburg, Russia, 13–15 December 2019.
  147. Music in the Disruptive Era: The Digital, the Internet and Beyond, Lucca, Italy, 14–16 December 2019
  148. Les champs musicaux et sonores de la barbarie moderne, Poitiers, 18-20 December 2019


2018[edit]

  1. BFE/RMA Research Students Conference 2018, Huddersfield, 4–6 January 2018
  2. Large Objects Moving Air 2018, London, 8 January 2018
  3. Research Hands on PIANO, Aveiro, Portugal, 24–7 January 2018
  4. Education for Music Entrepreneurship Seminar, Oslo, 25–6 January 2018
  5. Mapping the Musical City – a historically savvy symposium, London, 2 February 2018
  6. International conference for PhD students, 'Musicology (in)action: Past musics, present practices, future prospects', Thessaloniki, 9–11 February 2018
  7. Bach on Screen, Berea, Ohio, USA, 18 February 2018
  8. Orpheus Seminar 2018 'The Power of Musical Networks', Ghent, 21–2 February 2018
  9. Creative HPME Pedagogy Symposium, Bath, 24 February 2018
  10. Public Music Discourse: In Honor of the Bernstein Centenary, Columbia, SC, USA, 2–3 March 2018
  11. New Perspectives on the Music of Sir Peter Maxwell Davies, Canterbury, 2–3 March 2018)
  12. The Listening Experience Database Project Conference 2018, Milton Keynes,

6–7 March 2018

  1. Dislocations: Reassessing Ligeti’s Many Worlds in the 21st Century, Chicago, 7–8 March 2018
  2. Musical Culture in the Wars of Religion, 1550-1650, Cambridge, 17–18 March 2018
  3. The Nordic Ingredient – European Nationalisms in Norwegian Music after 1905 – Joint Conference, Bergen, 20–21 March 2018
  4. Opera and Musical Theater in the United States, Murfreesboro, TN, USA, 23–5 March 2018
  5. SEMPRE Spring Conference: MET 2018, London, 26–7 March 2018
  6. Rethinking Sound 2018, Seoul, 30–31 March 2018
  7. Musicology in the Age of (Post)Globalization, New York, 3–6 April 2018
  8. Music and Gender in Balance, Tromsø, Norway, 5–6 April 2018
  9. Seeing and Hearing the “Beyond”: Art, Music, and Mysticism in the Long- Nineteenth Century, London, 5–7 April 2018
  10. London Stage and the 19th-Century World II, Oxford, 5–7 April 2018
  11. “Music and Acoustic Spaces in the Civil and Ecclesiastical Institutions of the Iberian Peninsula” (MEDyREN Conference) Spanish Society of Musicology, Guadalupe, Spain, 6–7 April 2018
  12. SMA Theory and Analysis Graduate Students (TAGS) Conference, Durham, 7–8 April 2018
  13. Wagner 1900, Oxford, 9–11 April 2018
  14. Serge G.: An International Conference on Serge Gainsbourg, Paris, 9–11 April 2018
  15. Musicking: Cultural ConsiderationsMusicking: Cultural Considerations, Eugene, OR, USA, 10–14 April 2018
  16. Together in Music: Expression and Communication in Ensembles, York, 12–14 April 2018
  17. Music History and Historical Materialism: Reflections and Possibilities, London, 13 April 2018
  18. Autoethnography, Self-Reflexivity, and Personal Experience as Academic Research, London, 16–17 April 2018
  19. Music and Freedom. The 150th Anniversary of the Glorious Revolution, 20–21 April 2018
  20. Musica Scotica 2018: 13th Annual Conference, Stirling, 20–21 April 2018
  21. Material Cultures of Music Notation, Utrecht, 20–22 April 2018
  22. Sonorities Symposium 2018: Techno–Human Encounters, Belfast, 21 April 2018
  23. Bulgarian Culture in the First Half of the XX Century, Interactions and Music Contacts, 25–6 April 2018
  24. Church Music and Worship Conference, Durham, 27–8 April 2018
  25. Reading Musicals: Sources, Editions, Performance, Carmel, IN, USA, 9–11 May 2018
  26. 7th Annual Meeting of the Historical Keyboard Society of North America (HKSNA), “Professionals and Amateurs: The Spirit of Kenner und Liebhaber in Keyboard, Composition, Performance and Instrument Building”, Ann Arbor, MI, USA, 9–12 May 2018
  27. Symphonism in Nineteenth-Century Europe, Oviedo, Spain, 10–12 May 2018
  28. “Music Theory” – 9th International Hisarlı Ahmet Symposium, Kütahya, Turkey, 10–12 May 2018
  29. International Congress on Musical Signification, Cluj-Napoca, Romania, 11–15 May 2018
  30. Study Day and Workshop on Music, Well-being and Mental Health, York, 12–13 May 2018
  31. Mauricio Kagel 2018 – Performance and Interpretation, Cologne, 13–15 May 2018
  32. Louise Dyer and Editions de l’Oiseau-Lyre: The Establishment of a Music Press, Melbourne, 18–19 May 2018
  33. Rethinking musical transcription and arrangement, Cambridge,19 May 2018
  34. Ligeti: a Portrait with Reich and Riley, Cluj-Napoca, Romania, 21–2 May, 2018
  35. Music Encoding Conference 2018, College Park, Maryland, USA, 23–4 May 2018
  36. Music & The Moving Image Conference, New York, 24–7 May 2018
  37. CONMUSTERM: Terminology research in musicology and the humanities, Zagreb, 25–6 May 2018
  38. Diaspora Sounds: Innovation and Creativity in Music Learning and Performance, London, 1 June 2018
  39. The Soundscape of the Venetian Terraferma in the Early Modern Era. International Conference celebrating 475 Years of the Accademia Filarmonica of Verona, Verona, 1–3 June 2018
  40. Inside, Outside, and in Between: Institutionalization in Music History. Fifth Sibelius Academy Symposium on Music History, Helsinki, 6–8 June 2018
  41. 3rd International Conference on Historical Keyboard Music: Authorship in Historical Keyboard Music, Lisbon, 7–9 June 2018
  42. Surrealism and music in France, 1924-1952: interdisciplinary and international contexts, London, Friday 8 June 2018
  43. Music 625: The Performance of Music on Television, c.1955-’85, Leeds, 8–9 June 2018
  44. XXIst Century Challenges to the History of XVIIIth Century Musical Aesthetics, Turin, 11–12 June 2018
  45. POPVision, The U2 Conference 2018, Belfast, 13–15 June 2018
  46. 10th Music and Media meeting, Salamanca, 13–16 June 2018
  47. Music and Literature: Innovations, Intersections and Interpretations, Edinburgh, 14–15 June 2018
  48. The Fourth Annual Representations of Early Music on Stage and Screen (REMOSS) Conference: Music and Medievalism, Edinburgh, 15–16 June 2018
  49. Practitioner Knowledge: Musicology, Music Performance, Education and Therapy, Stavanger, 18–20 June 2018
  50. Oxford Conducting Institute International Conducting Studies Conference 2018, Oxford, 21–3 June 2018
  51. Between ecstasy and inspiration: wine and music in the visual arts, Bordeaux, 21–3 June 2018
  52. 1st Academic Conference on “Music, Communication and Performance”, Montecassiano, Italy, 23–4 June 2018
  53. Connections and Communication in Instrumental and Vocal Teaching, 26–27 June 2018
  54. Fifth International Conference on Analytical Approaches to World Music (AAWM 2018), Thessaloniki, Greece, 26–9 June 2018
  55. Music, Medievalism, and Modernism: Between Old and New, Huddersfield, 27–8 June 2018
  56. The Anatomy of Polyphonic Music around 1500, Cascais, Portugal, 27-30 June 2018
  57. 1st International Conference on Artistic Research in Performance, Manchester, 28–9 June 2018
  58. A ‘Musical League of Nations’?: Music Institutions and the Politics of Internationalism – a Symposium, London, 29–30 June 2018
  59. Centennial Reflections on Women’s Suffrage and the Arts, Guildford, 29–30 June 2018
  60. Ninth International Conference Music /Sonic Art: Practices and Theories, Karlsruhe, Germany, 28 June–1 July 2018
  61. RMA Music and/as Process Study Group 6th Annual Conference, Edinburgh, 29 June–1 July 2018
  62. “Padron mio colendissimo…”: Letters About Music And Stage in the 18th Century, Queluz, Portugal, 29 June–1 July 2018
  63. Cripping the Muse: Music & Disability Studies, Leeds, 4–5 July 2018
  64. CityMAC 2018, London, 5–7 July 2018
  65. Performance Studies Network International Conference, Oslo, 5–8 July 2018
  66. Body, concepts, canon, constructions: Sex and gender in New-Music discourse since the 1950s, Hamburg, 6–8 July 2018
  67. Music and image in cultural, social and political discourse, Canterbury, 9–12 July 2018
  68. Institute for Russian Music Studies 2018 Annual Conference – “Russian – Italian Musical Connections”, Vipiteno, Italy, 11–13 July 2018
  69. 18th Biennial International Conference on Baroque Music, Cremona, 10–15 July 2018
  70. ICMPC ESCOM, Graz 23–8 July 2018
  71. FLUTE: Hands on Research 2018, Aveiro, Portugal, 28–31 July 2018
  72. The North American British Music Studies Association Eighth Biennial Conference, Logan, Utah, USA, 30 July–1 August 2018
  73. isaScience 2018 “Participatory Approaches to Music & Democracy”, Vienna, 10–14 August 2018
  74. HuCPeR 19th Century Salon, Huddersfield, 28 August–1 September 2018
  75. 3rd festival conference of music performance and artistic research “Doctors in Performance”, Vilnius, 4–6 September 2018
  76. Editing, Performing and Re-Composing the Musical Past – The Emergence of French Neoclassicism (1870–), Birmingham, 5–7 September 2018
  77. Music and Musicology in the Age of Post-Truth, Dublin, 7–8 September 2018
  78. Archival Study Event, Oxford, 10 September 2018
  79. Perspectives on Historically Informed Practices in Music Conference, Oxford, 10–12 September 2018
  80. Royal Musical Association Annual Conference 2018, Bristol, 13–15 September 2018
  81. SPARC Symposium 2018: Socio-Sonic, London, 14–15 September 2018
  82. Art Bands, DiY Music and Cultural Identity in an Age of Transnational Mobility, Reading, 21 September 2018
  83. Towards Best Practice: Teaching Singing in Higher Education – Core competencies, London, 22 September 2018
  84. International Chopinological Conference: ‘The integration of a work: from miniature to large scale’, Warsaw, 26–8 September 2018
  85. “Cardinal Cisneros and Music” Symposium – El cardenal Cisneros y la Música, Toledo, 27–9 September 2018
  86. RMA Study Day: “Il aimait un automate!” Exploring the complex relationship of opera and technology in history and current practice, Belfast, 4 October 2018
  87. Machines and the Musical Imagination (1900–1950), Ottawa, 5 October 2018
  88. “L’abbé Gounod”: French Sacred Music during the romantic era, Lucca, Italy, 5–7 October 2018
  89. “L’abbé Gounod”: French Sacred Music during the romantic era, Lucca, Italy, 5–7 October 2018
  90. Iberian musical crossroads through the ages: Images of music-making in their transcultural exchanges, Barcelona, 17–19 October 2018
  91. Conference on Interdisciplinary Musicology CIM18 “Meaning and Music”, Poznań, 17–20 October 2018
  92. Symposium and Workshop: South African Opera Productions after the Apartheid, Bayreuth, 18–19 October 2018
  93. Pop – Power – Positions, Bern (Switzerland), 18–20 October 2018
  94. Rossini after Rossini: Musical and Social Legacy (1868-1918), Lucca, Italy, 19–21 October 2018
  95. XXV Annual Conference Of Italian Musicological Society, Bolzano, Italy, 19–21 October 2018
  96. Vocal Sound and Style 1450 to 1650, Brighton, 20–21 October 2018
  97. Fusion and Transformation – Asian Contemporary Compositions since 1990, Taipei, Taiwan, 20 & 23 October 2018
  98. AEC and CEMPE Learning and Teaching Conference, Oslo, 24–6 October 2018
  99. 46th International Baltic Musicological Conference 'Cultural Change and Music Criticism', Vilnius, 23–6 October 2018
  100. XIV. International Conference – CONTEXTUALITY OF MUSICOLOGY – What, How, Why and Because, Belgrade, 24–7 October 2018
  101. Notated Music in the Digital Sphere: Possibilities and Limitations, Oslo, 25 October
  102. The London International Piano Symposium: Researching at the Interface between Science and the Art of Piano Performance, London, 28–30 October 2018
  103. Technologies of singing. Investigations of the dispositive singing – body – media at the dawn of sound recording, Detmold, Germany, 2–4 November 2018
  104. EMR and the Church, Durham, 5 November 2018
    1. Modes, Church Tones, Tonality: Tonal Spaces, c. 1550 – c. 1720, Ferrara, Italy, 8­–10 November 2018
  105. SEMPRE Autumn Conference 2018, Leeds, 9–10 November 2018
  106. Principles of Music Composing: Links Between Audiation and Composing, Vilnius, Lithuania, 13–15 November 2018
  107. Music and Figurative Arts in the Nineteenth Century, Lucca, Italy, 16–18 November 2018
  108. Fifth International Romantic Brass Symposium, Biel/Bienne, Switzerland, 20–22 November 2018
  109. Listening Experience Database one-day conference: Digital methodologies for understanding musical experience, London, 21 November 2018
  110. Music and Figurative Arts in the Nineteenth Century, Lucca, Italy, 16–18 November 2018
  111. Fifth International Romantic Brass Symposium, Biel/Bienne, Switzerland, 20–22 November 2018
  112. Listening Experience Database one-day conference: Digital methodologies for understanding musical experience, London, 21 November 2018
  113. Journées d’Analyse Musicale 2018 – C. Debussy, F. Couperin and French music: analyses, theories, performances, Aix-en-Provence, 23–4 November 2018
  114. Opera as Institution: Networks and Professions (1700–1914), Graz, 23–4 November 2018
  115. Pedagogies, Practices and the Future of Folk Music in Higher Education II Conference, Järvenpää, Finland, 28–30 November 2018
  116. Self-Borrowing in Nineteenth-Century Italian Opera: A Reconsideration, Maynooth, Ireland, 30 November 2018
  117. Thirty-fourth Annual Conference on Music In Eighteenth-Century Britain, London, 30 November 2018
  118. Spain and Musical Exoticism, Melbourne, 30 November–1 December 2018
  119. Elvis lives in Amsterdam: Manifestations of the imaginary musician, Amsterdam, 29 November–1 December 2018
  120. Ars Antiqua III: Music and Culture in Europe, c1150-c1330, Lucca, Italy, 30 November–2 December 2018
  121. Instrumental Theatre. Music and the Stage in Latin America (1954-2006), Buenos Aires, 3–5 December 2018
  122. Music and the Internet: a Joint Study Day of the RMA & BFE, Oxford, 8 December 2018
  123. Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures, Leicester, 13–14 December 2018